Kosmaj
Commissioned by former Yugoslavian president, Josip Broz Tito in the 1960s and 70s to commemorate sites where WWII battles took place, these now forgotten structures stand empty and without the significance it once had decades ago. Designed by different sculptors and architects, the strong and powerful blending of art and architecture come together in these monuments to convey the sense of confidence and strength of the Socialist Republic. However, after the Republic gradually died down in 1992, they lost their sense of wonder and no longer attracted the millions of visitors a year.
Korenica
As these structures stand abandoned, what should architects do to bring back its significance? Is it appropriate to bring back the same significance it once had or should these structures stand as a symbol of something different? Maybe be turned into a historical site or a part of a museum? Can a structural monument have the potential to stand for something else even though it once created such a strong statement to society? What would be the best response to these forms? Let us know your thoughts.
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It’s been more than a month since the devastating 8.9 magnitude earthquake and tsunami hit Japan. It is one of the most devastating natural disasters of the century, having caused thousands of deaths to our brothers and sisters in Japan.
On a lighter side, let us remember what the crazy creative Japanese brought to the world. They are innovators, not imitators. One great difference I saw between Western and Japanese package and product design is the amount of energy and life found in the latter. Most Western packaging appeared limited, merely ‘contained’ on the canvas or package. Whereas Japanese design is more alive, spirited and energetic. Japanese packaging is created not to just contain the product, but has a unique soul of its own. It’s easy to tell–most of the packaging and product designs are based on nature and all things cute. In fact, they go through lengths to add tiny details like faces, eyes and smiles to products to make it more ‘kawaii’. Charming mascots, sweet characters and happy faces definitely sell in the company, and cute characters will definitely lure consumers into buying their products.
Here are some of the most brilliant product and packaging design brought to us by Japan–all weird and wonderful.
Japanese brought us so many ‘kawaii’ items, or objects that are so good and yummy enough to be eaten. The Japanese taught us to see life from a more humorous perspective, even during the most mundane times like working in the office. Some of the more interesting takes on mundane office items are things like what Japanese design studio D-Bros brought us. D-Bros created awesome sticky notes that looked like sliced fruit.
The notepad is designed by Masashi Tentaku. The stem is an actual tree twig. The notepad has 150 sheets of notepaper. It is sold individually or in a 6 pack. It looks so realistic–it even comes with the netting like the actual fruits!
The Kudamemo sticky pads are available in apple and pear. The note pads look pretty on your desk, it makes a great decoration or gift.
Could you imagine a watering can or a flower vase made out of a very thin plastic sheet? Sounds absurd, but it’s totally workable and practical.
Photo by JP Design
This quirky product design is again brought to you by the Japanese design company D-bros. It takes brilliant creativity to make a cheap material like plastic look beautiful, classy and elegant. D-bros has once again created an innovative design, using a flat plastic sheet as a watering can to water flowers and plants. In addition, you can also use them as a flower vase!
Image by JP Design
Did I mention that the company also made flower vases made of the same material?
Japanese designer Naoto Fukasawa takes packaging design to a whole new level through literalist design. Most brands and packaging nowadays bombard users with texts, fonts, colors and elements to stand out from the supermarket shelf. Fukasawa takes the road less traveled and created these brilliant packaging designs.
Above is the photo of Fukasawa’s brilliant design for a banana flavored juice box. He simulated the look, feel and texture of the fruit flavor contained inside. His design for a juice box is brilliant, vibrant and creative.
Naoto Fukasawa also designed fruit boxes for strawberry, kiwi and even tofu for a fruit box for soya milk.
You may have noticed by now that Japanese design tends to be inspired by nature–and the same is the case for the packaging design for a confectioner named Koujuken in Nara.
Image by PingMag
The flower packaging design is beautiful; giving careful attention to meticulous design and detail. It shows that the sweets are as natural and great tasting as the package implies. The packaging design celebrates the July flower Morning glory, with the foil printed with matte and gloss. It is sealed with a leaf fastener, looking like and pretty origami flower.
Japanese designer Kouichi Okamoto marries both traditional and modern design to come up with a contemporary, conceptual take on the Japanese lantern.
The lantern mimics that of an ordinary, modern lightbulb, but the materials used are that of the traditional paper lantern. It even comes with the text and elements to make it look like the real thing. The design first appeared during the 2008 Stockholm Furniture Fair, but is now available in for purchase.
How can you make a cute design out of ordinary matches? Seem impossible? The Japanese apparently didn’t think so.
Image by The Dieline
Looking at the kawaii designs with their cute tiny heads and grins, it seems like sparking a light with these matches is a crime.
The packaging features cute characters with different expressions, along with the caramel corn inside the character’s mouth. It’s bright, colorful and eye-catching–certainly this will be the first snack in the grocery shelf that will catch your attention.
Image by Japan-Talk
Image by Jay-Han
Image by Architectradure
Image by JP Design
These chocolate pencils are practical and smart, great for garnishing chocolates and desserts. Chefs and chocolate lovers can use the special pencil sharpener that comes with it, in order to grate the chocolate on a dish.
The chocolate pencils are a collaboration with Nendo and patisserie Tsujiguchi Hironobu, the master behind dessert shops Mont St. Clair & Le Chocolat de H. Every meal and dessert plate is a masterpiece, just like a painting. And like a painting, it starts with a blank canvas and some art tools–thus the design of these chocolate pencils.
A minimalist and fresh packaging for the Milk Forest brand that was created by Japanese design studio Rise Design Office. It looks fresh like the milk it contains, having been produced by cows that have been living in the forest freely throughout the year. You know what they say–the happier the cow, the better the milk!
Image by Vizeer
Nachan Drink - Apple-flavored drink can
Image by Ochigo
Akanbe Felt Bag – a multi-purpose bag that can also be spread out into a mat. And we can’t help but love the smiley bag handle.
Image by JP Design
Chichiyasu Yogurt - charming, sweet characters definitely sell, especially with dairy products
Image by PingMag
Ajinomoto - Ajinomoto Salt Packaging in Japan.
Image by Hola Design
Monokuro Boo - Eye candy packaging
Image by Jamesbowskill
‘Alphabet’ Cigarettes - Regular, Heavy and Cool Mint cigarettes with minimalist packaging. The packaging is also a portable, mini-ashtray.
Creative packaging makes the world a nicer place; why package your product in humdrum when you can wrap your beloved invention in marvelous and inventive stuff instead?
Here’s a quick round up of some design that’s caught Brutus’ eye this week, it’s all pretty awesome stuff, a doff of the cap to all involved!
Thomas Heatherwick Wins London Design Award
UK Pavilion, Shanghai Expo 2010
The London Design Medal is given to a designer who has made a significant contribution to design and London having achieved international acclaim for their work. This year, Thomas Heatherwick has been awarded the Medal.

Plank, Manufactured by Benchmark Furniture, UK
Ben Evans, Festival Director said about Thomas:
“Thomas Heatherwick is a designer who defies definition whether he is working in in the fields of architecture, product design, sculpture and urban planning. He has developed a considerable reputation for his practice, creating a range of extraordinary objects and buildings; from rolling bridges to seaside cafes to spinning chairs. His stunning British Pavilion at the Shanghai Expo demonstrates to the world that British design is innovative, creative and good for business.”

Twisted Cabinet, Manufactured by Benchmark Furniture, UK
Thomas Heatherwick commented:
“It’s a huge honour and a great surprise to be given the London Design Medal. London is the city I was born and brought up in; an endlessly exciting mish-mash of a place that inspires me and my team in the projects we do.”


Extrusions
The eighth London Design Festival, which runs until Sunday 26 September, reinforces London’s pre-eminence as the world’s capital of design. Today, UK designers are firmly at the forefront of national consciousness and their influence is felt around the world. A glance at the global leaders in design will reveal many a Brit, such as Jonathan Ive at Apple, Jasper Morrison, Paul Priestman, Peter Saville and Tom Dixon… to name but a few. There is no doubt that the country remains abundant with creativity in all areas, from fashion to furniture, from digital technology to graphic design.
tags: wood
Branding a new honey product can be a nightmare; appealing to the luxury goods market whilst encouraging kids to select a healthier alternative to sugar is a tall order.
At once sophisticated, elegant and playful, the design solution was to use a sparse aesthetic, with an ultra clean feel, utilizing ‘bee stripes’ to reel in the children, whilst the fresh, minimalist lines and upscale luxury feel, give bored-to-death ennui sufferers another must-have, overly expensive and ultimately pointless item to put in their kitchens.